Showing posts with label Editing. Show all posts
Showing posts with label Editing. Show all posts

How to Do Cutaway Sound in Three Different Ways

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We've come a long way, baby. In the not too distant past, doing cutaways was a pain the neck. iMovie '09 makes cutaway audio so easy, you have three different ways to do it, each fitting different circumstances.

So if you are trying to get the audio from clip A to cover clip B, here are three ways to do cutaway sound:

1. Insert a cutaway.

The cutaway feature is the obvious choice really, but not perfect for every circumstance. This works great if you want clip B to remain permanently subordinate to clip A, but doesn't work great if you only want clip A to cover part of clip B. Plus, this is a pain if you want clip A's audio to cover clips B, C, D, etc.
To insert a cutaway, first turn on the Advanced Tools in the iMovie preferences, under the General tab. (Once you turn these on, there really isn't much reason to ever turn them off again.)

With clip A already in your project, select the footage for clip B from the Event Browser. Drag and drop the selection onto clip A, and you will see something like this:

Just choose Cutaway from the menu, and your clip B sits on your clip A, casting its shadow and everything.

Because we want to promote clip A, select the cutaway that is now clip B and either change its volume via the Inspector or just mute it entirely by pressing Shift-Command-M.

2. Use the Precision Editor.

This works best if you want clip A's audio to cover just part of clip B.
Add both clip A and clip B to your project, side-by-side. Double-click on the space between clip A and clip B. (Don't double-click on the transition, if you put one there. If there is a transition between A & B, double-click the space just above or below it.) This brings up the Precision Editor (Let's call it the PE for short).

At the top right corner of the PE, there is a sound wave button. Click that to show the audio tracks that go with your clips. Your PE window should look something like this:

Now that you can see the sound for your clips, you can also change the cut point for the just the sound. To see what I mean, grab the part of the blue cut line that crosses the audio track of clip A. Drag it to the right and it snaps off the big blue line and drags independently. That little blue fragment of the bigger line will be the new cut point for the audio, covering as much of clip B as you want.

3. Extract a clip's audio.
This way works best if you only want clip A's audio without the video or if you want the audio from clip A to extend over multiple clips.
There are two ways to get the audio track out of a clip, which depend on where the clip is:

Clip A is still in the Event Browser. Just drag the selection from the Event Browser and drop it onto another clip. The Drag and Drop Menu appears, then just choose Audio Only. iMovie inserts just the clip's audio as a green audio banner in your project. Drag it wherever you want.

Clip A is in your project. Select the clip and right-click (Control-click) on it. From the shortcut menu that appears, choose "Detach Audio". iMovie will split off the audio into a purple banner, and it also mutes clip A. (That way you aren't playing the audio twice.) Drag the purple banner wherever you want.

Orders of Magnitude
It's a great thing when you go from one painful way of doing cutaway audio to three easy ways, each with their own strengths. If the trend continues, maybe someday we'll all have brain implants and editing iMovie projects will be done while we sleep. Maybe we can expect that in iMovie '63.

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Quick Tip: Split a Clip at the Playhead

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This Quick Tip should make a lot of iMovie HD holdouts happy.

(By the way, you really shouldn't hold out any more. iMovie '09 is great.)

Most of us who have been in iMovie for a long time learned to edit with the "Split Clip at Playhead" command. The truth is that it is an awkward way to edit. To get at a bit in the middle of clip, you have to trim off the front, delete the bit you trimmed, then trim off the back, then delete the other bit you trimmed. (Not to mention, "Wait, did I delete the wrong bit?") This isn't a rock sculpture. Why should I have to chisel my video out?

Hey, old habits are hard to break. Plus, splitting a clip at the playhead is really useful for other things, like when you want to make audio level changes to part of a clip. (Remember, iMovie '09 applies audio levels across an entire clip, so you have to break a clip into pieces to change audio levels for the right parts.) If I could just skim to a spot then split, it would make editing just a little bit easier.

Well, iMovie '09 makes this possible. Skim to a split-worthy point in a project and right-click (Command-click for you one-buttoners). iMovie will select the entire clip, but don't let that throw you. Choose "Split Clip" from the shortcut menu that appears.

Huzzah!

Note: This command works differently if you select just part of a clip. If your little yellow borders aren't surrounding the whole clip when you do this, iMovie will split the clip at those yellow borders instead of at the playhead.
This tip only works in project footage, not event footage. But there is not much point in splitting event footage, so no problem there.

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How to Edit to the Beat

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Just looking at the title to this post makes me think of some sort of nerd version of a Gloria Estefan song. Hmm. Come to think of it this post is especially well suited for Gloria Estefan songs.

What follows is, in my opinion, the one feature that should have been demoed at MacWorld but wasn't. Seriously, this feature is awesome. Here is how to edit to the beat of a song.

Like I said, this feature didn't get much attention at MacWorld, and I am stunned that it hasn't gotten more attention since. We all need it and will use it. My rigorous (entirely anecdotal) survey (sample of 1) of home video projects reveals that most of us don't make home videos, we make home music videos. And it's no wonder. Kids running around Disneyland are a lot cuter if they are doing it to Bibbity Bobbity Boo.

Enter iMovie '09 and the beat marker. To sum up how this works, iMovie will now allow you to premark beats (or any point in an audio track for that matter) so that footage and photos will autofit to the beats you mark. This feature, by the way, has a serious wow-factor as you actually use it.

Before you do anything, though, click on the View menu and select "Snap to Beats", or just hit command-U.

Pick a Track, Any Track.
Start a new project then add a song to it. Once you've done this, your project will look a lot like this.

Experienced iMovie users will recognize that the song won't go anywhere without a video track, as iMovie automatically ends your project when the video ends (and not when the song ends). But this doesn't mean that you can't do stuff to the song in the meantime. If you click the gear icon on the track, you can select "Clip Trimmer" from the menu that appears. Once you do, your event footage is replaced by a window that looks something like this:

Pay particular attention to that little music note in the top right corner. That is a draggable beat marker, which works just like chapter markers and comment markers. Dragging is great and all, but I find it a lot simpler to just hit the "M" key on the keyboard. Alternatively, you can right click on the spot you want to mark and choose "Add Beat Marker" from the menu that appears. The actual markers appear as thin, vertical, white lines with a dot in them.

Now here is where it gets pretty fun. Start the audio track playing from the beginning. As the song plays, just tap the M key for every beat where you want to cut to a new shot. Go ahead and boogie while you do it. No one is watching.

Once you have done this through the whole song, you can take a moment to fix your mistakes. For the beat impaired, the handy soundwaves can often point you to the right spot. Beat markers are draggable even after you have placed them. You can remove them entirely by dragging them off of the top or bottom of the Clip Trimmer window. If you want to start over, just right click and choose "Remove All Beat Markers".

A useful tip: Usually if you are cutting right on the beat, your video cut will actually appear to be late. If you can practice tapping the beats just barely before the beats, your cuts will look just right.

Also, don't group your beat markers too closely together unless you are trying to get a very fast-paced effect. Once you are happy with all of the beat placements, click "Done" in the top-right corner of the Clip Trimmer.

Video Goes Here
You should be back in your Event Browser now, having a basically blank project awaiting some footage. Go ahead and select a length of footage then add it to the project above.

Voila. There it is. iMovie cut the end off the footage you selected and added it to the project. Try it with a photo now. Isn't that cool?

After very little work, you will have a project that looks something like this:

Notice how the beat markers show up in your project to remind you why the cuts are taking place there. Having them show up directly in your project allows you to refer to them in case you want to edit around them or want something in the middle of a clip happen at the beat. (Notice how in the second line on my project I extended a clip through one of my beat markers.)

What if the video isn't showing exactly what you want when the cut takes place? Not a problem. Just select the gear icon on the video clip and choose "Clip Trimmer". There you will be able to move the edit left or right to make sure you are seeing what you want to see. Just don't adjust the time unless you want to override the beat marker.

Not Just for Cuts
Beat markers work with pretty much everything else you might do in your project:
1. Titles, either the beginning or end of them, will be magically drawn to beat markers. This is also true of cutaways.
2. Layover audio tracks that display as flags under your video, in addition to the background-style audio track I used, work with beat markers as well. Beat markers inserted into layover tracks will snap to the beginnings and ends of clips, titles, cutaways, etc.
3. Beat markers even have the same effect in the Precision Editor.

Mistakes Were Made...
One of the really annoying things about previous iMovie versions is that as you edited to the beat manually, a tiny change would have cascading consequences. Multiple edit points could be thrown out of whack. iMovie '09 tries not to let that happen. If you adjust or delete a clip, you get this message:

It's nice to be warned, but iMovie will continue to warn you as you make changes. The dialog will stop appearing once you turn off Snap to Beats from the View menu.

Fun AND Functional
Before beat markers, editing a movie to music was pretty time consuming. Beat markers in iMovie '09 are a big time saver, but also pretty fun.

Enough of this, back to your boogie.

EDIT: Per Nathan's request in the comments, I uploaded my project from this post to YouTube. The shakiness of the footage is explained by the 10x zoom in the tiny camera I was shooting with (a Canon TX1). That, and an absolutely crazy stadium crowd.

(For those into football, this was the October 2007 Monday night game between Denver and Green Bay. Denver staged a last minute comeback only to have Brett Favre throw a 78-yard touchdown pass in the first play of overtime. I left that out of the video on purpose.) :P

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Quick Look: More on Image Stabilization

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Randy from the iMovie team read my recent post on image stabilization and wanted to pass on some other things that are worth knowing about the way it works in iMovie '09.

Not Just a Zoom
The stabilization feature in iMovie '09 does more than just a simple zoom, which could be understood from my original post. iMovie primarily rotates and moves each frame to keep the objects all the in same place, which is quite a bit more sophisticated. Once the frames are moved and rotated, iMovie applies the amount of zoom necessary to cut off the black edges created by the correction. I suppose this could still be called a corrective zoom, but Randy's explanation is a lot more clear.

Two Things That Might Look Worse
In the same way shaky video can obscure what you want people to see, it can also hide things that you'd rather keep hidden. Once iMovie works its magic on your shaky footage, there are two other visual problems that will become much more noticeable.

Motion Blur
Unless you have a camera that shoots at really high framerates, it is possible to swing your camera around enough that the pixels will actually become blurred. Although iMovie can stabilize the frames relative to each other, it can't erase the blurriness of individual frames. Stabilized footage with blurry frames might look like the camera is moving in and out of focus.

CMOS Jello
If you are shooting video with a CMOS camera, like the new Nikon D90, your video is being shot with a rolling shutter, which means the sensor data reads from the top of the sensor to the bottom over a (very short) period of time. If the camera is moving during shooting, the results of a rolling shutter can make the world look like it's suddenly made of jello (link via Daring Fireball). Randy notes that stabilization can make the jello stand out and look especially jiggly. Because the overwhelming majority of video cameras and still cameras that shoot video use CCDs rather than CMOS sensors, most cameras will not suffer from the jello problem.

See It in Action
Randy was kind enough to send a link to some of his Africa footage that he used in the Macworld keynote. For the curious, he filmed with a Panasonic SD-5 (a CCD-based camera). Everything was shot hand-held, no tripods, and was later stabilized and edited in iMovie. Thank you, Randy, for the great information. It looks like it was a great trip!

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Quick Look: Image Stabilization

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This post has some updated information you can read here.

One of the remarkable new features in iMovie '09 takes the shaky, handheld video we all shoot, and makes it look like you lugged a steadicam around Disneyworld with you. In previous versions of iMovie, you'd have to buy a third-party plugin for this sort of thing. Despite having to wait a few more weeks before we can all put iMovie '09 to work, there are some things we know about its image stabilization effect that are worth mentioning.

Corrective Zoom
The stabilization feature in iMovie '09 works by applying a corrective zoom. If you look at this screen grab from Apple's tutorial video, you can see that the stabilized video has zoomed in on the scene. The dead tree in the middle of the shot is closer, and the trunk of the large tree on the right has been pushed out of the shot. A corrective zoom works by trimming the shake off the edges of each frame, preserving just that which can be seen in all of the frames.

This means there will inevitably be shaky footage that iMovie can't correct. (If I wildly swing my camera around, all the zooming in the world can't correct that amount of motion.) Exactly how far in iMovie is willing to zoom is something we will have to wait and see.

From what I've been able to tell, the zoom that iMovie applies will only ever be the minimum necessary to stabilize the shot. If I select a range that is relatively stable, the zoom will be slight. If I add footage to my range that is shakier, iMovie will zoom in even more. This is the reason that iMovie doesn't preview the stabilization effect while you skim your footage in the event browser. Without knowing the start and end point you have in mind, iMovie doesn't know how far to zoom in. Clips added to your project don't have this problem.

Processing Time
iMovie has to analyze footage in order to apply the stabilization. Apple has warned all of us about this several times already, but I don't know exactly how long it takes for a given length of footage. I would image it's long enough that you may want to take a break from you Mac when you set it to process.

The nice thing is that this processing time is voluntary (unlike thumbnail generation). If you don't want to stabilize your all of clips, you don't have to. You simply select either the clip or the entire events you want processed, then tell iMovie to get to work with a menu command. After it is done, iMovie '09 will also mark footage that is too shaky to correct, saving you the time of adding it to your project.

Most of the quality in home video projects comes not from the flashy effects, but from the little things like lighting, sound, and the steadiness of the shot. The fact that iMovie '09 fixes one of these issues so simply is really impressive.

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How to use the Space Saver

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No doubt about it, the Event Library makes iMovie better in the same way that drawers and cupboards make kitchens better. Having your footage conveniently organized and accessible makes a huge difference in your productivity. The problem with kitchen drawers, though, is the infernal junk drawer. It's never fun to clean out, but who really needs the dead batteries and gum wrappers that fill it up?

The Event Library can get filled up with all kinds of junk: blurry shots, shaking shots, long and boring shots. The problem is that this kind of stuff takes up a lot of space, especially if you are shooting HD. You can get rid of it by rejecting and deleting each individual clip, but this can be time consuming. iMovie, in its wisdom, gives us a faster way: Space Saver.

WARNING: Space Saver risks getting rid of footage you want to keep. Using the junk drawer analogy, it works by picking out the things you want to save then just shoving everything else into the trash. There might be a ten dollar bill or important phone number that you'll never get back. That said, here is how to use the Space Saver.

You'll find the Space Saver in the File menu.

Before you select it, it's important to understand that Space Saver only works on events that you have selected in the Event Library. You can go an event at a time, not unlike going a drawer at a time in your kitchen. Or, you can select multiple events at once and run Space Saver on all of them together.

I realize that my warning may scare you from doing anything with Space Saver, but iMovie actually takes you through a few steps before anything really gets deleted. If you select "Space Saver" from the File menu, you will see this dialog box show up:

What it basically tells you is that Space Saver can delete any footage that:
1) Isn't used in a project,
2) Isn't marked as a favorite, and/or
3) Isn't marked with a keyword.
This essentially means that it will delete any footage that you haven't touched using any of the tools described in this post:

How to use the advanced editing tools

So if you want your footage to be saved from the Space Saver, go read that post and learn how you can make sure the right stuff gets passed over for deletion.

Depending on the criteria you select in the dialog box, iMovie will delete more or less of your footage. After you have click the "Reject and Review" button, it marks all the deletable footage as rejected and changes your view of the Event so that you only see the rejected footage. Click "Move Rejected to Trash" and iMovie cuts out the rejected footage from the event and moves it into the trash in the Finder. This last part of the process works just like the process covered in the post:

How to delete a clip

If you want to undo the Reject marking that Space Saver applied, don't bother unmarking all the footage. Just hit Command-Z, and iMovie undoes what Space Saver did.

Have fun with all that free space!

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Reader Tip: Use Shift-Arrow to set start and end points

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I've said it before and I'll say it again, I love the keyboard shortcuts in iMovie '09. Michael Avory sent me this tip on using Shift and the arrow keys to mark start and end points of a clip while you are editing. I love the trick because if I am being slow and methodical about selecting a particular range of footage, I don't have to keep holding my mouse button down as I drag. It also works great because it means you can select footage during playback, no dragging required.

Anyway, take a moment to try out Michael's great tip:

Here is a tip for setting IN/OUT points that might interest you:

Make sure clip is not selected (no yellow frame). Play/drag to IN-point (pause), hit shift + left arrow (IN is marked) Play/drag to OUT-point (pause), shift + left arrow and the clip is selected from IN to OUT. To select a portion of clip up to a specific point: play/drag to point, hit shift+left arrow, place cursor at start of clip, shift + left arrow and the clip is selected up to your first chosen point.

These are very useful for editing clips to the beat of a music track, etc.

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How to Capture a Still Frame

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In a past post on the old blog, we put QuickTime to work in order to resurrect the creation of still images from video clips. It was a semi-complicated process, but a very powerful and flexible one at that. But you may not want powerful. You just want easy. Here's easy, thanks to the change in all versions of iMovie since v.7.1.

Skim your playhead to any point in a video clip that you want to capture as a still image. Right-click and choose "Add Still Frame to Project" from the menu that pops up. iMovie automatically creates a still frame and ads it to the end of your project. (If you have a one-button mouse, hold down the Control key and click to get the same menu.)

If the image was created from an Event library clip, iMovie will auto-apply the Ken Burns effect. If it was created from a clip sitting in a project, iMovie will leave the Ken Burns effect out so your image sits statically in the frame. (This is pretty intelligent behavior. If I am creating a still from a project, I probably want it to be a freeze-frame of the clip I am working on, not a "Ken Burnsed" image.)

Now here's the really handy part. If you want access to the image for other purposes, like adding to iPhoto, right-click on the image that iMovie created in your project and choose "Reveal in Finder."

There it is, sitting in a folder that is hidden inside the project package file. You'll only get JPEGs, but these should work fine for most people. If you want more options for still image exports, go read my original post on this subject.

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How to Use the Fine-Tuning Controls

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If you find that you want to add just a few frames to the beginning or end of your clip, Fine Tuning makes this quite a bit easier. In the bottom corners of a clip, there is a button with a line that has two arrows on either side. You can see the buttons I am talking about in the bottom corners of this clip.

When you click on either button, an orange border wraps around that end of the clip. This border comes with a draggable handle.

Go ahead and drag the handle. As you do, you will see iMovie counting the frames that you add or remove from your movie, together with the Viewer window showing the footage you are adding. Pretty dang handy.

One other tip: if you hold down Command-Option as you mouse around in your project, you will see the Fine Tuning option pop up without the need to click the little buttons.

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